ABSTRACT
Social conventions of the day kept Morisot from pursuing the same subject matter as her male counterparts, such as Monet and Renoir, who often painted popular sites of leisure around Paris. Because Morisot liked to paint outdoors―and frequenting such sites without a chaperone would have invited scandal―she instead depicted domestic scenes, landscapes, and portraits, stating, “It is important to express oneself, provided the feelings are real and are taken from your own experience.” According to exhibition notes from the Barnes Foundation, “Working women are a recurring subject in Morisot’s painting. October 19, 2021 The conclusions, findings, and opinions expressed by authors contributing to this journal do not necessarily reflect the official position of the U.S. Department of Health and Human Services, the Public Health Service, the Centers for Disease Control and Prevention, or the authors' affiliated institutions. Volume 27, Number 11—November 2021 About the Cover Yet Another Potential Age-Old Nonpharmaceutical Intervention Downloads Article ------------ RIS [TXT - 2 KB] Article Metrics Metric Details Related Articles Coronavirus Vaccine Breakthrough Infections ------------ Postvaccination MIS-A with No Prior Infection ------------ SARS-CoV-2 Associated with Large Public Gatherings ------------ More articles on Vaccine, Immunization Kathleen Gensheimer and Byron BreedloveComments to Author Author affiliations: